Sunday, May 9, 2010

This Wednesday: Community Screening of "Casino Jack," Followed by Campaign Finance Reform Discussion



This Wednesday, you will have a chance to view award winning Director Alex Gibney's new film, "Casino Jack and the United States of Money," for free at San Francisco State (just need to rsvp). Following this special community screening, there will be a discussion on campaign finance reform with Mark McKinnon of Maverick Media and Heather Smith of Rock the Vote.

DETAILS: Wednesday, May 12, 2010 
                   6:30 p.m. – 8:30 p.m.

                   San Francisco State
                   August Coppola Theatre
                   1700 Holloway Ave
                   San Francisco, CA

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Campaign Finance Reform is one of the most meaningful topics we can be discussing if we want to get to the root of the political system. There is no doubt that Gibney's film will jolt the audience into a fascinating discussion (Remember, Gibney's previous films include these journalists gems: "Enron: The Smartest Guys in the Room" and "Taxi to the Dark Side"). Don't miss this chance to join the community and watch this important new film! 

If you can't make it, there will be a live stream of the event online at www.mobilize.org. You will be able to participate in the discussion by asking question via twitter (#CasinoJack).







Tuesday, March 2, 2010

Photojournalism: Is Violence Necessary?

 
(Photo: Pietro Masturzo, Italy)

NPR blogger Claire O'Neill poses a great question in lieu of the recent winner of the World Press Photo contest: Is violence necessary for photojournalism to make an impact? Apparently not, as this year's winner is a very stylistic photograph of women in Tehran shouting the election results from a rooftop on June 24th. This beautiful photograph is imbued with subtle meaning as the lights in all the windows are turned on below and the shouting implies that there are ears across the city on the receiving end. The photo is pregnant with the events that are about to unfold, yet is distinctly different in tone then the majority of photos of protesting and violence that followed.

Some commenters took issue with O'Neill's question because of it's implications that she was blaming the messenger for producing violence. "In terms of senseless violence, any amount is too much. In terms of photographic documentation, there is apparently not enough," wrote commenter Robert Lee.

While I agree that photojournalists are an integral messenger of the catastrophes that occur around the world, it is integral to document an array of images that communicate across a large emotional landscape. It is also interesting to question what values we place on winning photographs. 

Monday, September 14, 2009

Picturing a Soldier



(Photo: Julie Jacobson / The Associated Press)

Photographs of the Iraq war play an essential role in delivering information to the American public who are very removed from the happenings of the battlefield. The images allow the public to bypass official reports of the situation abroad and arrive at their own conclusions. While, photographs are an essential tool in communicating the realities of war to the America public, most photos leaving the battlefields of Iraq and Afghanistan present only a particular viewpoint. These days it seems that most all photographs in the mainstream media depict American troops in positions of control. Often photos show US troops "patrolling" neighborhoods in strong, gun-wielding poses. Or, they show US troops swiftly moving up stairs and through rooms as they "raid" homes.

Perhaps that is why it was such a shock when the Associated Press released a photo of a wounded Marine on an Afghan battlefield, who later died from his injuries. U.S. Marine Lance Cpl. Joshua Bernard was the subject of this photo that faced vociferous debate.

Despite, death tolls in the thousands, the American public has seen relatively few images of the consequences of war on US soldiers. Only this past February did the Pentagon reverse an eighteen-year policy, giving photographers the ability to photograph returning coffins of US soldiers killed abroad. In this policy-reversal the Pentagon set a precedent by giving families the decision-making power over whether the media was allowed to publish the photo.

To the dismay of Lance Cpl. Bernard's family, there is no policy that gives families the power to prohibit the publication of any other types of photos, including one's of their family members being wounded in war. The family of Lance Cpl. Bernard did not wish for the photo to be published and their opinion was shared by Secretary of Defense Robert Gates.

AP senior managing editor John Daniszewski sees the decision by the government to publish the photo as one that clearly highlights the differing roles of the press and government.

The AP's own description of the debate surrounding the photo was published here. The comments from readers are perhaps the most interesting part of the post.

The comments reveal that the main controversy over this photo centers around the fact that it depicts a fatal wound. Those against having the press publish the photo often take issue with the fact that it's disrespectful to the soldier to show him to the world in his vulnerable last moments. Those in favor of showing the photo want American's to see that the thousands of soldiers being killed abroad are not just numbers, they have faces.

Frankly, I am surprised that this hasn't come up earlier. If we are censoring these photos out of respect to the wounded or the family of the wounded, what kind if image does the public receive about war. Should images of US soldiers in war be kept clean and blood-free? Shouldn't Americans see what's really happening over in the battlefields that they are sending their troops off to fight in? Why are Americans so uncomfortable seeing wounded US soldiers when there are thousands upon thousands of photos of wounded Iraqis and Afghanis?

It pains me to see this photo. It must pain a lot of people, or else there wouldn't be such controversy over it. It remains unclear to me why the press should "respectfully" cover a war when war disrespectfully kills people. It would be dishonest to report it otherwise. Maybe this is just a case of misplaced anger. Why get angry at those who wish to publish this photo and instead take issue with those who sent the US soldier over there in the first place?

Sunday, August 30, 2009

The Press Can Save Lives?



"Could a more aggressive press in the United States during World War II have saved lives?" This question was the basis for an online exhibit on the Newseum's website that traced the shocking choice of the mainstream US press to downplay the increasing human death toll at the hands of the Nazis.

The exhibit cites a few reasons why the editors, during the time that the Holocaust was happening, placed the development of a million innocent people being killed on page six or page ten. Basically the editors couldn't bring themselves to believe that what was happening was real. Supposedly there was a lack of eyewitness accounts, a lack of photographic evidence, and the US had it's own anti-semitism that affected the coverage of the time.

But ultimately, I would say the press is to be faulted and blamed for not contributing to ending this atrocity against humanity.

It makes me wonder, what are the stories of today that are similarly being relegated to the back pages. What events are not being covered by the mainstream press that could be saving lives?

(Photo: Grant MacDonald / Flickr)

Tuesday, May 5, 2009

News That Will Matter in Ten Years




The fantastic author and journalist Michael Pollan is speaking in San Francisco tonight at an event being put on by the Long Now Foundation. Despite the Long Now Foundation being based in San Francisco, I had never heard of them before. I went to their site and their projects are very "forward" thinking...literally. One of their ventures, Long Bets, provides an arena for people to make bets on future events. The goal is for the process to create accurate predictions.

The Long Now Foundation is attempting to launch the "Long News" project, which will try and determine what the most important stories of the week are. The ones that will transcend time and continue to be relevant five or ten years from now are deemed most important. I look forward to following this and seeing what they come up with. As the Long News Project attempts to take off it will begin in the form of blogposts which can be read here.

Thursday, March 26, 2009

Twitter Tipping Point




I am sensing a Twitter Tipping Point. Not only was it the hot topic among friends at a bar this weekend, KQED interviewed Twitter co-founder Biz Stone this week about the role of this social networking tool.

At the bar last Saturday my friend asks his twitter savvy friend why he should use this mini-blogging tool. The response came in the form of a question: "Do you remember when I told you to use Facebook eight months ago?" he asked. "Now you use it often and don't need me to tell you why to use facebook," he said. "Well, that's whats going to happen once you start using Twitter."

That's exactly what Stone said as people wrapped their heads around why they should start using this technology. In an interview on KQED's Forum, Stone spoke with host Scott Schafer and bay area callers about why Twitter is important, how to best use it, and the implications of its use.

The main thing that seems to differentiate Twitter from other social networking sites is its closeness to real-time interaction. Even news events over the past few months have been given immediate access to the public via twitter. Just look at the Mumbai attacks or the landing of the plane on the Hudson River in January.

If Twitter is going to become a source of up to the minute news, Schafer asked about how much credibility users should be giving this "news." Stone believes that there does not need to be a mediator, the truth will prevail. The truth will emerge because once something false is presented, Stone says another twitter user will come along and correct it. He also emphasized the need for twitter users to authenticate information for themselves by choosing their sources wisely and/or cross checking information with other sources.

More practical ways that Twitter is being used:

- Twitter is a vehicle for keeping a blog's readers updated on new posts.
- It can be used in dangerous situations. Just look at the journalist student who alerted his network of twitter friends when he was arrested in Egypt.
- Twitter is a great way for companies and organizations to keep their customers or members updated on promotions or events.

There are probably a million other ways that Twitter can be used and I imagine its role will continue to evolve as it becomes more mainstream. In my sphere of friends and acquantences only a few tech-savvy ones religiously use Twitter. However, I am sensing a tipping point. While Twitter currently seems like a piece of technology that I can live without, my interest has been sparked and I am really interested to try it. My main worry is that Twitter will make me document every second of my life rather than live it. But, I am open to the possibility that it could find a niche in my world and become an important way for me to connect to information as well as share it. I'll keep you updated on when Twitter inhabits my life. What are your thoughts on the Twitter tipping point?

Monday, March 23, 2009

Business Reporters Blow It




As we currently face our financial debacle, many blame the press for not doing a better job of alerting citizens to the approaching collapse. Former Wall Street Journal reporter, Dean Starkman, traced the history of Business Journalism and found that there was a significant shift among business reporting that lead to the audience being referred to as investors rather than citizens. It was approaches such as these that Starkman mentions were the reason behind business reporters missing the biggest story of possibly their career.